Oil On Canvas, Real Flavor of Old Masters

All Bartolome Esteban Murillo 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
59992  
Two Trinities, Bartolome Esteban Murillo
  		 Two Trinities   "Two Trinities"
50764  
Two Women at the window, Bartolome Esteban Murillo
  		 Two Women at the window   mk214 c.1655-60 Oil on canvas 124x104cm
53808  
Two Women in a fonster, Bartolome Esteban Murillo
  		 Two Women in a fonster   mk234 about 1670 127x106cm
62588  
Unit 4 steps, Bartolome Esteban Murillo
  		 Unit 4 steps   mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe
67600  
Vendedores de fruta, Bartolome Esteban Murillo
  		 Vendedores de fruta   Title English: The Little Fruit Seller Español: Vendedores de fruta Français : La petite marchande de fruits Polski: Mała sprzedawczyni owocew
69947  
Vendedores de fruta, Bartolome Esteban Murillo
  		 Vendedores de fruta   Medium English: oil on canvas Polski: olej na potnie Dimensions Deutsch: 149 x 113 cm
2766  
Virgin and Child, Bartolome Esteban Murillo
  		 Virgin and Child   1672 Metropolitan Museum of Art, New York
77535  
Virgin and Child, Bartolome Esteban Murillo
  		 Virgin and Child   oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cyf
75765  
Virgin and Child,, Bartolome Esteban Murillo
  		 Virgin and Child,   Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cjr
62560  
Virgin and the Son, Bartolome Esteban Murillo
  		 Virgin and the Son   mk284 1675 - 1680 Oil on canvas 165.7 x 109.2 Nian the New York Metropolitan Art Collection
62561  
Virgin and the Son, Bartolome Esteban Murillo
  		 Virgin and the Son   Nian mk284 1644 Oil on canvas 151 x 103 cm Madrid Prado Art Collection
62562  
Virgin and the Son, Bartolome Esteban Murillo
  		 Virgin and the Son   mk284 Oil on canvas 103 x 77 cm Los Angeles, Norton Simon Foundation for Tibet
62580  
Virgin and the Son, Bartolome Esteban Murillo
  		 Virgin and the Son   mk284 Oil on canvas 137 x 112 cm Paris, private collection
62581  
Virgin and the Son, Bartolome Esteban Murillo
  		 Virgin and the Son   mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz
62565  
Virgin Mary and the Santo Domingo, Bartolome Esteban Murillo
  		 Virgin Mary and the Santo Domingo   mk284 Oil on canvas 1640 207 x 162 cm Tibet Fort Sevilla Anoos
32926  
Vision of St.Anthony of Padua, Bartolome Esteban Murillo
  		 Vision of St.Anthony of Padua   mk84 1656 Seville,Cathedral canvas 560x369cm
62647  
Wedding Ghana, Bartolome Esteban Murillo
  		 Wedding Ghana   mk284 Oil on canvas 179 x 235 cm
62589  
Window of two women, Bartolome Esteban Murillo
  		 Window of two women   mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington
62595  
Window, smiling boy, Bartolome Esteban Murillo
  		 Window, smiling boy   mk284 Oil on canvas 1670-1680 years 52 x 38.5 cm National Gallery of London
62594  
Wolves wanderer overspending, Bartolome Esteban Murillo
  		 Wolves wanderer overspending   mk284 Oil on canvas 21 x 42 cm Madrid, Museo del Prado
32936  
Young Boys Playing Dice, Bartolome Esteban Murillo
  		 Young Boys Playing Dice   mk84 ca.1665-75 Munich,Alte Pinakothek. canvas 145x108cm
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Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.



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